Looking for:
Adobe illustrator cc for dummies free download |
Adobe illustrator cc for dummies free download -
Adobe Illustrator CC For Dummies by David Karlins - Ebook | Scribd - Download Product Flyer
Cookie policy. Change language. Made with love in Switzerland. Main languages. Revert Cancel. Saved successfully! Ooh no, something went wrong! Handing off Graphics for Print.
Selecting and Arranging Objects. Wielding the Pen and Anchor Point Tools. Painting with Brushes. Applying Color Patterns and Effects. Designing in Living Color. Using Color Guides and Color Themes. Book description Get to know your digital drawing board Adobe Illustrator CC offers a vibrant tool for creating drawings and illustrations in a digital environment. Create illustrations using simple shapes Touch up images using pen, pencil, and brush tools Import your illustrations into other graphic apps Apply special effects and add type This book is essential reading for new and beginning illustrators who are either adopting a digital tool for the first time, switching from an existing tool to Illustrator, or adding Illustrator know-how to existing Adobe knowledge.
Show and hide more. I zoom in on these options in Chapter 2. Open button: When you want to open an existing file, Illustrator kindly presents you with a set of template thumbnails — types of projects, such as a letterhead, a poster, a website, or an app prototype.
If you can't find the file in the thumbnails, use the Sort and Filter options, shown in Figure , to search for the file. Illustrator provides two toolbars, Basic and Advanced. The Basic toolbar is highly customizable. The Basic toolbar, which is displayed by default when Illustrator is launched, includes a curated set of frequently used tools. To add tools to the Basic toolbar, click the ellipses edit toolbar icon at the bottom of the Basic toolbar. The tools drawer appears. You can display or hide tools using the four Show options at the bottom of the tools drawer.
Or you can drag any tool into the Basic toolbar, as shown in Figure The Advanced toolbar includes every tool available in Illustrator. You use features in panels to tweak, tune, touch up, and transform artwork. Every chapter in this book, and every substantial Illustrator project, involves using features available through panels. But here I want to focus on a couple features of panels above and beyond how any specific panel works.
An Illustrator workspace is defined by which panels are displayed. You can configure your own workspace by adding and arranging panels, or you can use one of the presets. The contradiction is that the more panels you display, the more features you have quick access to but the less space you have to draw something! So, if you find your workspace cluttered with too many panels, you have a few options:.
Dock one panel by dragging it by its tab to another panel. You can dock it in the top or bottom of a panel or group it in the panel. The image on the right shows the docked Color Guide panel. Group panels by dragging the tab of one panel into the title bar of another panel. Panels are your friend. But like any friend, they can become a bit too much at times. So when you find your workspace overwhelmed by panels, use any of the tips just listed to reduce clutter and free up space for designing!
The two most robust panels in Illustrator are the Control panel and the Properties panel. Both panels have many features that overlap. And both panels are context-sensitive, meaning the options they display depend on what you're doing and what objects you select. For example, in Figure , I selected a box of type the word Control. Both the Control panel at the top of the screen and the Properties panel on the right provide access to fill and stroke color, character and paragraph style options, font, font size, and opacity.
The differences, essentially, are that the Properties panel has more options for selected objects and the Control panel takes up less space. I know Illustrator experts who fall out on all sides of this argument: Control panel! Properties panel! My opinion: I think the extra design space that the Properties panel occupies isn't worth its extra features.
When text is displayed as a link, you can click the link text to display a related panel or dialog box. That frequently used option accessing the Character panel is available in the Control panel but not the Properties panel.
When nothing is selected, the panels provide options for defining document properties. One difference between the Control and Properties panels is that you can resize, dock, or group the Properties panel just like other panels, but the Control panel usually sits atop the workspace.
However, you can drag the Control panel by the left edge down the screen to any other vertical position. My number one rule for Illustrator projects is this: Work backward.
If a project is headed for a print shop, start with a call to the printer to find out what specs you need to meet.
If your artwork is to be handed off to a web developer, check in with the developer to find out what kind of resolution he needs. If an animator needs a vector graphic, find out what kind of code she needs.
You start by defining a document. And you can gather and share content in other ways, such as selections and library items. But that said, even in the earliest stages of creating a graphic in Illustrator, it pays — literally in terms of time and energy expended — to work with as clear a picture as possible of where your project will end up.
On a website? In a print ad? On a poster? In a digital animation? Each of these outcomes requires a specific color mode, is defined with different units of measurement, and will have other constraints that should be built into the project as early as possible to avoid having to tear up the work and start over.
In this chapter, I sketch out the basic process of identifying your output, and then creating a document; organizing your content into artboards; exporting and saving documents, artboards and selections; and sharing objects that produce the kind of output you need.
The first step in doing anything in Illustrator is to create a document. But right away you are confronted with important initial choices. Essentially because Illustrator graphics can take two pathways: print and screen. The way colors are defined and objects are measured varies greatly between these two paths. Am I saying that when you conceive of a project you need to know whether or not the output is aimed at print output or screen output or both?
Basically, yes. Although you can change horses in the middle of the stream, you might create unnecessary complications in sizing and coloring objects. It's best to anticipate the output and — to repeat my mantra — work backward from there. Shortly I walk you through my curated set of options for creating a document, but all the options boil down to three essential choices: color mode, units of measurement, and dimensions:.
Comments
Post a Comment